Hi, I am looking for someone to write an article on blues continuum Paper must be at least 2750 words. Please, no plagiarized work! Baraka’s position revolves around the idea that music of the people is inseparably connected to its history, therefore, one of the grounding principles of his philosophical approach is to use music for “imparting African American history” (Schultz, 2013, p.153). as the lion’s share of original black music genres arose from the Afro-American experience of being oppressed. And the whole range of musical forms derived from that experience was intended to reflect the life of those who were considered different. As Shapiro puts it, African-American jazz and blues forms based on authentic African vocal norms and rhythms were aimed at addressing the life of a community, sensing their difference, and struggling for solidarity (Shapiro, 2004, p.90). Blues, in particular, is a significant expression of Afro-American hardships connected to life in American white society. Although nowadays this genuine Negro genre is perceived predominantly as a romantic genre, its roots drive it rather far from romance: blues is a product that has evolved “out of African-American sorrow songs” (Beşe, 2011, p.228).

Hi, I am looking for someone to write an article on blues continuum Paper must be at least 2750 words. Please, no plagiarized work! Baraka’s position revolves around the idea that music of the people is inseparably connected to its history, therefore, one of the grounding principles of his philosophical approach is to use music for “imparting African American history” (Schultz, 2013, p.153). as the lion’s share of original black music genres arose from the Afro-American experience of being oppressed. And the whole range of musical forms derived from that experience was intended to reflect the life of those who were considered different. As Shapiro puts it, African-American jazz and blues forms based on authentic African vocal norms and rhythms were aimed at addressing the life of a community, sensing their difference, and struggling for solidarity (Shapiro, 2004, p.90). Blues, in particular, is a significant expression of Afro-American hardships connected to life in American white society. Although nowadays this genuine Negro genre is perceived predominantly as a romantic genre, its roots drive it rather far from romance: blues is a product that has evolved “out of African-American sorrow songs” (Beşe, 2011, p.228).